By choosing SLOG2 you'll see that the footage is shifted and that the Scopes updated. Simply telling you that it was shot in SLOG doesn't tell you if it was SLOG2 or three. Herein it's important that you realize that you and the director of photography need to have a conversation, or the producer or the director on the shoot needs to make sure that notes come back to the editing suite. However, if I was using the newer A7S mark two or one of Sony's higher end recent Cinema cameras I might have had the option of using SLOG3. Because I shot this on an A7R mark two I know that I shot it with SLOG2. In this case SLOG is referring to Sony's log format. Different manufactures will often have different log formats. From the popup here you'll see that we have SLOG, both SLOG2 and SLOG3. I shot with a preset for cloudy, but it wasn't exactly right. And it was an overcast day with mixed lighting. We were shooting with a run and gun situation from a moving vehicle. Well, that's probably because I didn't have a proper white balance. You'll notice that the blue is spiking up, both over here, you can see that spike above 100, and on the RGB Parade. What's different here though is my white balance is clearly off a little bit. And again, you'll notice that the information has been mostly kept in place. Let's go ahead and take a look at a second Scope side by side, we'll take a look at the RGB Parade. And what you'll notice is that the information has really been pulled down and is primarily staying between 20 and 90 or 95 on the scale here. And let's switch here and bring up our Scope, so it's a little easier to see. Under the Basic Correction section you'll see the Input LUT. But what I wanna do is take advantage of correcting these a bit. These two were back to back and in this case we have a desert shot. ![]() In this case you're seeing some outdoor shots shot at two different times. Let's select those three shots, make this a little bit bigger, and I'll drag them on the new item to create a sequence. ![]() In this case we have a handful of shots from Sony's SLOG file format. In your folder you'll see that there is an SLOG format. And let me show you a few additional options here. In the last example I showed you one instance of using a camera look up table to pull things back to sort of a starting point.
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